Peridance Capezio Center
Salvatore Capezio Theater

Current Repertory | Past Repertory

Gran Partita

Choreography: Igal Perry

Music: W.A. Mozart

Company premiere: March 2017

Set to Mozart's sublime and sensitive score for wind ensemble, Gran Partita showcases dancers responding to the waves and nuances of the score. Perry is known for the reflection of music in movement in his choreography, and this work is a perfect example of his fresh, timelessly elegant style.

Face to Face

Choreography: Norbert De La Cruz III

Original Music: Nathan Prillaman
Costumes: Mondo Morales
World Premiere: March 2018

Princess Grace Award-winning choreographer Norbert De La Cruz III collaborated with composer Nathan Prillaman for this world premiere of his work, Face to Face.

Folie a Deux

Choreography: Adam Barruch

Music: Arvo Part
Company premiere: March 2018

Folie a Deux had it's initial premiere at Skirball Center for the Performing Arts, and was later adapted into a short film by Nel Shelby which premiered at Lincoln Center's Dance On Camera Festival in 2013.


Choreography: Igal Perry

Original Music: Ofer Bashan
Company premiere: March 2017

Artistic Director Igal Perry's latest evening-length work, Dia-Mono-Logues, is set to an original composition by Israeli composer Ofer Bashan and sections are played live by a string quartet led by acclaimed cellist Nan-Cheng Chen.
"Perry's masterful choreography and Bashan's music are a perfect union."
- Bonnie Rosenstock,

"Dia-Mono-Logues is a showcase of Peridance's thrilling thechnical artistry, that is steely and lyrical."
-Louis Whittington, November 18th, 2018, The Dance Journal


Choreography: Yesid Lopez

Music: Pyotr Ilyich Tchaikovsky Company Premiere: June 2018

Thundering Silence

Choreography: Igal Perry

Music: Vladimir Martynov

Costumes: Keiko Voltaire

Lighting: Brant Murray

Inspired by the music's audible silence and suspense, this work moves the dancers gradually - and at times abruptly - into a web of oscillating extremes, highlighting the differences as well as the utmost correlation between loudness and its nemesis: silence.

"It is an achingly beautiful work that almost defies words. Which might be the point after all, as resounding silence is its theme. "
- Bonnie Rosenstock ( March 7, 2015


Choreography : Marlena Wolfe

Music: Bachar Mar-Khalifé and Armand Amar
Costumes: Keiko Voltaire
Company premiere: March 2017

"Poetry matters now probably more than ever. WE need it to recover our sensitivity and our awareness that our humanity is under threat but that WE are capable of pursuing one of humanity's greatest dreams: freedom, tackling reality head on, opening up to a world WE share and seeking out the essence of things."
- Mahmoud Darwish


Choreography: Dwight Rhoden

Music: Jazz Standards by Nat King Cole

Complexions Contemporary Ballet choreographer and co-artistic director Dwight Rhoden's new creation for Peridance Contemporary Dance Company embodies his unique and dynamic style. Mr. Rhoden, recently described as "one of the most sought out choreographers of the day," by the NY Times, merges his highly athletic and virtuosic choreographic style with PCDC's talented artists.

"In this smoke-filled, brilliantly lit space, the dancers moved smartly in steps which ran the gamut
from ballet to ballroom to Broadway. The piece [was] entertaining and danced with vitality."
- Philip Gardner, Oberon's Grove, 2/13/13

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